Plus: Hollywood Is Purging Its Women Execs

October 24, 2026

Do all writers secretly—or not so secretly—wish to step into the spotlight? I can already hear some (not all!) of my colleagues demurring, but last night I caught the voice of Vanity Fair contributor Jeremy O. Harris in new Netflix release Sacrifice before turning on a couple minutes of From Dusk Till Dawn, written by and co-starring Quentin Tarantino. Then this morning I arose to Chris Murphy’s interview with Tony-nominated playwright Jocelyn Bioh, who briefly took the Broadway stage in School Girls; Or, the African Mean Girls Play. This role in her own play is Bioh’s first in nine years: She’s been asked to act before, but “It just didn’t feel it was right.” But this time around, the opportunity was “an offer you can’t pass up,” she said. For more from Jocelyn’s conversation with Chris, keep scrolling, then click.


Also worthy of your clicks this fine Saturday: Hollywood’s mergers and layoffs seem to be hitting female execs the hardest; Harvard historian Jill Lepore explains how Big Tech is controlling the US; and Natasha O'Neill dives deep into how Taika Waititi’s new film, Klara and the Sun, deviates from Kazuo Ishiguro’s beloved book.

EVE BATEY
EDITOR

And for one whirlwind weekend, the Tony-nominated playwright hit the stage to star in her own Broadway production. In an exclusive conversation with Vanity Fair, the School Girls writer chats about her creative role reversal. Read more

HOLLYWOOD

 

Gone Girls: Hollywood Is Purging Its Women Execs

 

By Rebecca Ford

 

Bela Bajaria, Pamela Abdy, and Cindy Holland are the latest to exit as mergers and layoffs reshape the studios, leaving few women with the power to greenlight a movie. Read more

BOOKS

 

Sofia Franklyn Writes Candidly About Her Abortion: “This Is Hard for Me to Say Even Now”

 

By Sofia Franklyn

 

In an exclusive excerpt from her memoir, Daddy Issues, Franklyn, for the first time, publicly recounts having an abortion in 2023, three years after her departure from Call Her Daddy, and reflects on her fallout with Alex Cooper. Read more

TECHNOLOGY

 

The Artificial Age Is Eroding Civil Society

 

By Nina Verdelli

 

In her latest book, Harvard historian Jill Lepore argues that Big Tech now controls the United States—and, by extension, the entire planet. They wield power in an authoritarian manner, favor presidents who best serve their interests (read: Donald Trump), and are helping to erode democracy. What can ordinary citizens do in response? Read more

HOLLYWOOD

 

Taika Waititi’s Klara and the Sun Doesn’t Understand Kazuo Ishiguro’s Book

 

By Natasha O'Neill

 

A close read of the differences between the adaptation and its source material, with bonus commentary from Ishiguro himself. Read more

Hollywood

 

Artificial, Andrew Garfield, Olivia Wilde, and Seth Rogen Join Vanity Fair’s Slate of Screening Room Programming

 

By John Ross

 

With Screening Room, VF brings audiences closer to the films and filmmakers shaping the 2026 awards season. John Malkovich, director Alex Gibney, and a special screening of the documentary Naza have also been added to the lineup. Read more

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