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For journalists, one of the most difficult, necessary parts of the work is bearing witness to other people’s agony, to document the ways that injustice and cruelty shape lives. That is what veteran war correspondent Janine di Giovanni and award-winning photographer Lynsey Addario have done for decades around the world—individually, they’ve reported from Syria, Afghanistan, Iraq, Libya, and elsewhere, and now, they traveled together to South Sudan. They knew of the atrocities stemming from another wave of civil war (each had covered previous conflicts in Sudan) and that this one had “the hallmarks of genocide,” as one UN official put it, resulting in a human rights catastrophe as people tried to flee the violence. They also understood that the world had stopped watching.

When I first spoke to Janine after she’d returned from a 10-day reporting trip through South Sudan, she recounted testimonies from survivors of horrific violence—people who’d had their villages attacked by drones, whose loved ones had been murdered or conscripted into war, those suffering from rampant starvation and malnourishment, and survivors who’d taken arduous and dangerous journeys toward safety. The stories were difficult to hear. And it was even more distressing to learn about the ways that money, foreign influence from places like the United Arab Emirates, and political cowardice on a global scale compound the human costs.

And then I saw Lynsey’s photographs. “I struggle all the time with the photographs I take because I never know if they convey the true sort of desperation of the people that I see,” says Addario. “For me, it was just sort of how we are reduced to numbers when it comes to war, and we’re reduced to these conditions that are inhuman.” We hope you’ll spend time with these stories, as painful as they are. As Janine writes, “The details are too graphic for anyone to make up. I write this to illustrate how difficult it is to lose everything—your home, your family, your dignity.”

The Forgotten War

BY JANINE DI GIOVANNI AND LYNSEY ADDARIO

Sudan finds itself in cycle after cycle of bloody civil war, intensified by a brutal intramilitary power struggle and exploitative foreign powers like the United Arab Emirates seeking an opportunity to profit from the bloodshed. Vanity Fair reports from inside the mounting human rights disaster.

Jack Schlossberg’s campaign of antagonism against his cousin Bobby Jr. during the 2024 presidential election was a thing to behold: original, sustained, super troll-y. His actual campaign for the NY-12 congressional seat was something more quixotic, if still troll-y. Today, VF staff writer Dan Adler charts Schlossberg’s loss along with the other failed launches of influencer-politico hopefuls, like Spencer Pratt, and examines why social media prowess doesn’t necessarily translate at the ballot box.

Meanwhile, VF’s Clara Molot, who wrote our recent report on Alex Cooper’s unhappy Unwell employees, is back with a story about what we can infer from prediction markets about Taylor Swift’s wedding. (Does anyone ever call it Taylor Swift and Travis Kelce’s wedding?) Plus, some exclusive photos from the extraordinary life and times of David Hockney.

CLAIRE HOWORTH,
DEPUTY EDITOR

Far From Camelot

BY DAN ADLER

The failed campaigns of Jack Schlossberg and Spencer Pratt suggest it takes more than social media—and name recognition—to win an election.

Exclusive

ART

California Cruising With David Hockney

BY CHRISTOPHER BROOKS

In 1985, artist Christopher Brooks accompanied Hockney on a road trip up the Pacific Coast Highway, documenting their trip with his camera. Then he lost the images for decades—and recently found them tucked away in a box.

A Billion to One

Taylor Swift’s Wedding, According to Prediction Markets

BY CLARA MOLOT

With rumors swirling, Swifties and gambling enthusiasts alike are betting on everything from the venue to the guest list to whether Swift will be pregnant when she walks down the aisle.